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‘That is what happened to me,’ she’s said, ‘so it made sense to write about it.’ Horgan, 46, has talked of the semi-autobiographical element: she and her now husband, entrepreneur Jeremy Rainbird, had an unplanned pregnancy six months into their relationship. It’s done in a spirit less unhappy than Fleabag’s, but just as casual. In Catastrophe, she plays an Irish schoolteacher (also called Sharon) in her late-30s, who has a brief meaningless fling with an American stranger, Rob (co-writer Rob Delaney), then finds she is pregnant. She returned to England to study English at Brunel University then embarked on a career as an actress, notably in the BBC sitcom Pulling about three thirtysomething singletons, which she also co-wrote. Horgan was born in Hackney, East London, where her Irish mother and New Zealander father ran a pub, before they moved to Ireland to run a turkey farm and sent her to convent school.
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Most recently, she has been the co‑writer and star of the equally fearless, frank TV comedy series Catastrophe, broadcast first last year on Channel 4. Then there’s the success of another female comic writer, Sharon Horgan. Overall, it is a revealing, sorrowful human comedy and, because of its popularity, a welcome shift in perception of modern women’s lives and feelings. Validated only by hook-ups, ruining their health and work in mindless sex and self-gratification, the Fleabags of today are, simply, lost. These days, we hear a lot about how the porn culture has a disastrous effect on boys, so it was about time that a clever piece like this pointed out that young women - likeable, intelligent, educated ones like Fleabag - also suffer from adopting the role of objects and playthings. But I think it was a mixture of hormones, media pressure to be perfect, along with having to find out who you want to be and what you want to do.’
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She said: ‘I didn’t know how to articulate it because I was living this great, privileged life. In interviews, Waller-Bridge has discussed how Fleabag is a show unafraid of exploring female anger. On paper, Waller-Bridge, now 31, would appear to have little in common with her unhappy, rootless creation She is married to director and writer Conor Woodman, and they recently bought a house in North-West London. She has spoken of an ‘idyllic’ childhood in leafy West London - her father worked in the City, while her mother was employed at the Ironmongers’ Guild.Īfter a private education at a girls’ school in Marylebone she turned down a place to read English at Trinity College, Dublin to go to the Royal Academy of Dramatic Art.Īs an actress she has appeared in Broadchurch (as barrister Abby Thompson) and the film The Iron Lady. On paper, Waller-Bridge, now 31, would appear to have little in common with her unhappy, rootless creation. The sad truth is that her only way to medicate this misery and feel worth anything is through sex without affection or intimacy.
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We learn gradually that it is grief and remorse which are poisoning Fleabag. In the latter activity she does not bother with their real names but gives them nicknames too unsuitable to print here.īut the core of the piece is in depicting her unhappiness: the bleak reality of a young woman adrift, unable to feel worthy in any way but sexually, living in a culture defined by the unhappy, addictive pornification of modern life.
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Her character, nicknamed Fleabag, is an erratic, highly-sexed modern girl, who co-owns a failing cafe and whose best friend has died in a possible suicide because her boyfriend cheated.įleabag’s life is in chaos - and is sometimes immensely funny as she attempts to get a bank loan, steals, resents her stepmother and flits from man to man.
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In between outings as a stage solo show, the story became a TV series (first on BBC3 then moving to BBC2) performed by Waller-Bridge this time with a full cast.
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Then there’s the success of another female comic writer, Sharon Horgan (pictured)įrom the grubby practicalities of intimacy to musings about exotic varieties of porn, it shies away from nothing.